Each issue is very special to me, it represents a time and a place in my life and career and I love looking back at the earlier editions to remind me of the fascinating cities I've visited and the amazing artists I've found along the way. However, I do have to admit that I feel like Issue 4 is that little bit more special... (sorry I know one isn't supposed to have a favourite child) because this is the issue that represents a very special time in my life and career - the 30 year anniversary of Chalk Paint®!
I curate a colour palette for each issue, based on the mood and the feel of the time. The palette for Issue 4 which just so happens to be timed with the start of Spring in the UK, is composed of luscious Lem Lem, grounding Graphite and the origin of Chalk Paint, Old White. Despite the hero of this issue being Old White, you'll find that the 132 pages are jam-packed with colour.
Thirty years! That’s how long it’s been since I started my Chalk Paint® adventure. Back in 1990, the first colour I created was Old White, which is why I’ve chosen white as the theme for this celebratory issue of The Colourist. And, since 30 years is a pearl anniversary, we’re launching something rather appropriate: Pearlescent Glaze. You can turn to page 128 to see how Dominique Malacarne used this beautiful, iridescent colour to create a subtle inlaid bone effect that I know you’ll want to try for yourself.
As this is such a special issue, I’ll be talking a little more personally than I do normally: reflecting, gathering and planning for the future of Annie Sloan Interiors. I’m sharing some stories about how I started this company in my 40s, and talking to other creative women following their passions and starting their own businesses.
I’m thrilled to share more about ‘accidental icon’ Iris Apfel, the fashion, textiles and interior designer who’s famous for being ridiculously stylish, witty and idiosyncratic. And, by the way, she’s in her 90s! We also feature illustrator and designer, Edward Bawden; Roland Penrose and Lee Miller’s surrealist home, Farleys House; a tour of a beautiful Dutch barge; and the home of our past Painter in Residence, Ildiko Horvath.
As ever, you'll find six inspiring step-by-step projects in the back section of the magazine, including a project by Annie Sloan Interiors' very own senior designer, Joanna Lloyd, showing you how to use the free Toile du Jouy-inspired paper pull-out. The toile features scenes from my home city and the home of Chalk Paint® manufacturing, Oxford.
That’s just a taster of what’s in store. I hope you enjoy the issue – it’s been a pleasure putting it together for you. Tag me @AnnieSloanHome on social media with the hashtag #ColouristMag so I can see what you get up to.
Yours,
Annie.
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