Here’s a drawing technique
I’ve recently used on a table top which I simply love and have done ever since I
started delving into decorative techniques!
A little known fact is
that my “Annie Sloan” signature logo was also created using this
technique.
So have you guessed what
the technique is? Yes, it’s sgraffito and it actually dates back to the Middle
Ages, and quite simply translates from Italian as ‘scratched’ or ‘scratch work’.
It can be applied in painting, pottery, and glass.
The yummyness of it
Essentially, if you are a
painter, then at some point or other you are going to put paint on and then
turn your brush round and scratch out some of the paint with the handle tip or
similar. So effectively you are drawing into the paint by taking it off. I’ve
always liked the texture and the yummyness of it.
With sgraffito, you
generally apply layers of contrasting colour to a surface, and then scratch
through a pattern or shape through the upper layer to reveal the colour below.
For Medieval palaces and churches, where money was no object, gold
leaf often provided the base colour. Other colours were applied over the burnished gold and then the decorative
design was scratched into the paint layer with a wooden stylus. It was fairly
crucial that the paint had not dried completely so that it could be neatly
removed without damaging the delicate gold layer underneath. Although we’re not
likely to be doing a gold brocade decoration, the same ‘not-quite-dried’
technique applies today.
My jumping off point for
my table top project was this 1940’s woodcut (I upcycled this years ago from an
IKEA box). I’d Instagrammed a picture of this piece some time back and got lots
of comments. I love that black and white look, and that's what I was going for initially. But I soon found that trying to transpose woodcut into
sgraffito doesn’t really work!
A simple sgraffito character step-by-step
But I was on a mission and
I had another inspiration – a quirky stick figure I drew on a cabinet in my
house in Normandy.
The technique used to
create this incised character is a variation of sgraffito and is also how I essentially
created the sgraffito tabletop.
So I’ll take you through a
few simple steps to show you the basics of this technique (for more detail, go
to my Colour Recipes for Painted Furniture
book (Cico, 2013):
1 Paint the entire piece
with Chalk Paint® in one colour (here I used Graphite). Then paint the panels
in a second contrasting colour (here Old White).
2 Now paint a smaller area
in your first colour over the panel. Use thin strokes.
3 Almost immediately – while
it is still wet – start to draw your design into the paint with the tip of the
brush. Press and draw firmly, working into the wet paint to reveal the colour
below.
4 When it’s all dry, add a
coat of wax with a wax brush and lightly dab with a cloth to give a matte
finish. Et voilá.
Grayson's inspiration
While I was revisiting
this technique for my table top, I was reminded that it’s a technique also used
by Grayson Perry. He does it on his pots, scratching into the clay. I love his
work and it gave me the inspiration to experiment with figurative drawing
rather than the usual patterns and scribbles, doodles and motifs I so often do.
Perry works straight from
the heart, which is the ideal springboard to create and try something new. He is
a fantastic observer of contemporary life – be it political, satirical or more
personal. He presents his view of the world much like William Hogarth did in the 18th
century. To me, he is very English, very special and quite different.
I’ve
certainly been inspired by him and I would like to develop even more Perry-inspired,
sgraffito-style pieces.
PS I ought to add that to achieve the colour effects on the tabletop (you can see above and at the top of this post), I smudged different colours on to it with my thumb – again applying the paint slightly wet so I could change it, if I felt it wasn't quite right!)
What
do you think?
Yours, Annie
[All project photography by Christopher Drake]
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