Practical Style

I’ve got exciting news to share with you all today. I am joining Fresh Style magazine as a Contributing Editor – starting with their current issue!

My regular column is called ‘Practical Style’. This was the name of my first shop in Oxford and represents the essence of what I stand for – not just here on my blog, but also in my books and in my line of products.

In each issue of the magazine, I’ll share with you an exclusive project that you can recreate at home using simple-to-follow instructions and tips. I’ll also give you an insight into how I work and where I find my inspiration. My hope is that these practical projects will give you all the tools you need to find your own creative expression and style.

For my first column, I guide you through the approach and method that I took to create a table inspired by America’s abstract expressionist movement. I’ve called the piece my ‘Jackson Pollock table’ as the techniques I used and resulting effect remind me of the artist’s iconic abstract paintings. Although this project might look complicated at first, it really is very easy to achieve with a little help from my decorative paint, Chalk Paint®, and clear Soft Wax.

            

Here’s a sneak peak of the project and what you’ll find inside the issue:

Fresh Style magazine is available on newsstands across the USA, as well as via participating Annie Sloan Stockists around the world.

Fresh Style have also created a subscription offer, to find out more follow this link: http://bit.ly/1io0hnj

Yours, Annie

Sgraffito – starting from scratch

Here’s a drawing technique I’ve recently used on a table top which I simply love and have done ever since I started delving into decorative techniques!

A little known fact is that my “Annie Sloan” signature logo was also created using this 
technique.

So have you guessed what the technique is? Yes, it’s sgraffito and it actually dates back to the Middle Ages, and quite simply translates from Italian as ‘scratched’ or ‘scratch work’. It can be applied in painting, pottery, and glass.

The yummyness of it

Essentially, if you are a painter, then at some point or other you are going to put paint on and then turn your brush round and scratch out some of the paint with the handle tip or similar. So effectively you are drawing into the paint by taking it off. I’ve always liked the texture and the yummyness of it.

With sgraffito, you generally apply layers of contrasting colour to a surface, and then scratch through a pattern or shape through the upper layer to reveal the colour below.

For Medieval palaces and churches, where money was no object, gold leaf often provided the base colour. Other colours were applied over the burnished gold and then the decorative design was scratched into the paint layer with a wooden stylus. It was fairly crucial that the paint had not dried completely so that it could be neatly removed without damaging the delicate gold layer underneath. Although we’re not likely to be doing a gold brocade decoration, the same ‘not-quite-dried’ technique applies today.

My jumping off point for my table top project was this 1940’s woodcut (I upcycled this years ago from an IKEA box). I’d Instagrammed a picture of this piece some time back and got lots of comments. I love that black and white look, and that's what I was going for initially. But I soon found that trying to transpose woodcut into sgraffito doesn’t really work!

A simple sgraffito character step-by-step

But I was on a mission and I had another inspiration – a quirky stick figure I drew on a cabinet in my house in Normandy.

The technique used to create this incised character is a variation of sgraffito and is also how I essentially created the sgraffito tabletop.

So I’ll take you through a few simple steps to show you the basics of this technique (for more detail, go to my Colour Recipes for Painted Furniture book (Cico, 2013):

1 Paint the entire piece with Chalk Paint® in one colour (here I used Graphite). Then paint the panels in a second contrasting colour (here Old White).

2 Now paint a smaller area in your first colour over the panel. Use thin strokes.

3 Almost immediately – while it is still wet – start to draw your design into the paint with the tip of the brush. Press and draw firmly, working into the wet paint to reveal the colour below.

4 When it’s all dry, add a coat of wax with a wax brush and lightly dab with a cloth to give a matte finish. Et voilá.

Grayson's inspiration

 

While I was revisiting this technique for my table top, I was reminded that it’s a technique also used by Grayson Perry. He does it on his pots, scratching into the clay. I love his work and it gave me the inspiration to experiment with figurative drawing rather than the usual patterns and scribbles, doodles and motifs I so often do. 

Perry works straight from the heart, which is the ideal springboard to create and try something new. He is a fantastic observer of contemporary life – be it political, satirical or more personal. He presents his view of the world much like William Hogarth did in the 18^th century. To me, he is very English, very special and quite different.

I’ve certainly been inspired by him and I would like to develop even more Perry-inspired,
sgraffito-style pieces.

PS I ought to add that to achieve the colour effects on the tabletop (you can see above and at the top of this post), I smudged different colours on to it with my thumb – again applying the paint slightly wet so I could change it, if I felt it wasn't quite right!)

What do you think?

Yours, Annie

[All project photography by Christopher Drake]

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